Showing posts with label shred metal. Show all posts
Showing posts with label shred metal. Show all posts

Tuesday, July 2, 2013

Revenge of the Mongrel - Shred Metal and Dangerous Spells in Dantor

Masturbation is one of the most exquisite pleasures that Satan and the Elder Godz bestowed upon humankind when they made us in their spaceships 500,000 years ago. Nothing like spewing gobs of jizz all over so many imaginary faces. This is especially true of musical masturbation. The metal guitar shred genre is the absolute highest realization of Space Satan's intentions for the human race. A combination of gigantic ego displays and fantastic finger dexterity make the shred genre the guitar the ultimate musical phallus, spewing hot jizz upon the masses ever since Richie Blackmore decided that he was the next Mozart. The following is a crusty sock of musical reportage.
 
In any genre of music, snobs will be snobs, and much abuse has been cast upon guitar virtuoso The Great Kat pretty much from the outset of her career by the metal community at large. But in listening to this album and letting its delights settle in like a nice heroin addiction, I have to say that this album, Beethoven on Speed was our favorite album of the night. It's just fun. Her songs are packed with nice bouncy thrash riffs, are fast as fuck, and are nice little spurts of aggression and speed, like grindcore for shredheads. The lyrics are goofy in a Sodom kind of way. Her abundant guitar solos are unsubtle and proceed at amazing speeds. But to me, the whole album says, "Hey, I went to Julliard", lights a crack pipe, and shreds along its lunatic way. Definitely marketed to wrong crowd back in the day. It's just a speed metal album, nerds. And the lady has a huge dick upon with which she feeds were devoted cult. Must be something there, folks. She's been around for over 25 friggin' years.


 Adventure in Samur Part 13.1 - Ultra Dead
Thirteen black candles glowed dimly in a circle around four robed figures in this underground room. Thirteen candles protecting the shape shifting mistress of the night, injured in a recent battle. Heavy footfalls of the enemy issue from the hill above, shaking dust from the concrete ceiling. Bloodmace, Lars the Berserker, Jarkon and I were each standing at a corner of the table where or injured comrade lay. Fragrant smoke poured fourth from the brass censer that hung from Jarkon's hand as we stared silently at one another in the flickering light. The weird sorcerer thrusts his arm into the middle of the circle, hand curled into the sign of the horns. We follow Jarkon's lead and he begins the galdr.
"Heyri jötnar heyri hrímþursar,
synir Suttungs, sjalfir ásliðar,
hvé ek fyrbýð, hvé ek fyrirbanna!"
I can feel the power coursing through our outstretched arms, the spell has begun to take effect. Lightning crackles around us as the world outside the magic circle us falls away. The candles are burning brightly now, their flames leaping aggressively from the wick and obscuring whatever moves just beyond them. Jarkon's incantation is slowly rising in pitch and tempo and I see that the Black Sabbath patch we each have on our denim jackets has begun to glow. Something is watching, our spell has attracted some presence that even now struggles to breach the protective barrier that surrounds us. The chant has now reached a fever pitch, it seems to go right through our bodies and shake the air around us, as if we were in water. In the midst of the chaos I hear Jarkon's voice yell out "Now, use it now!"

The next album was more polished and traditional that the others. Borislav Mitic's The Absolute. Mitic is a furious yet tasteful shredder with a tasteful sense of composition. His style is Satriani meets Yngwie, his compositions are neo-classical with a thrashy edge. But over all it is too restrained, too refined, too predictable. The first song is pretty amazing, thrashing to and fro with virtuoso flair and as many classical licks as you can throw into one song. But it gets old as the album goes on. You already heard your guitar heroes make these moves. That's when you realize that this dude has pulled out his dick and is jizzing his licks all over you. You might like his jizz. It might always taste good to you.


Adventure in Samur Part 13.2 -  The Prize of Eternity
The four of us, psychically connected by the spell, simultaneously bring our hands up to the glowing embroidery of the ancient vestments. From our outstreched hands, the energy we have harnessed in the patches comes pouring out and in a moment, the form of Mistress Crowbastard is obscured by a blinding light. Demonic screams assault us from outside the circle of fire, tentacles and claws eagerly search for a way to tear us to shreds. We are at the most dangerous part of the spell now, for the protection of the circle is weakening and we must return from whatever bestial realm we have traveled to by using this dark magic. Jarkon, acting quickly, begins to chant the homegaldr.
"I traveled to a distant shore, I felt I had to go
an inner voice called me there, but why I did not know
I saw the evening star rise up, shining out to sea
And now I understand what it all means"
Soon the walls and floor return. Once again we are in the underground lair of Jarkon Crowbastard sleeps peacefully on the table before us and we repair to the other side of the room so as not to disturb her. Lars the Berserker is still angry and in hushed tones he growls at our host, "You are still responsible for the deaths of our people. One day I will kill you." Jarkon, exhausted from the sorcery he has just performed answers in a weary voice, "It is true that the beast that destroyed our village was one of my creations, but I did not send it. It was taken from me in a raid on the other side of the mountains by the Vorm, who you just met in battle. Lars, Headron knows you are here. He may not have been able to pinpoint your location, thanks to Parthon's cloaks, but now that the riders have spotted us it will not take them long to report our position. We must move from here, and fast." He stares into the eyes of the vengeful warrior and for the first time since we arrived here I see Lars' brow unfurrow. Bloodmace though, spurred on by his friend's skepticism steps fourth to question Jarkon, "Where are we going to go? We can't carry her for long." Bloodmace gives Jarkon a
searching look and the underground dweller answers, "She will be coming to any minute. This is a powerful spell and now even the demons of Mangar know of our presence. She will be disoriented for an bit, but I know of a place where we can shelter, and of someone who can help us gain entrance to Headron's palace, you see now is the most dangerous time for us because he knows that we will be 
much stronger when we enter the castle so he wants to stop us now. If he finds out that one of us is 
injured, he will know that we are not able to cast another Tabethian spell until we are able to rest. We will travel to the Sectaurian settlement not far from here, for the Vorm are terrified of the insect riders and their spider king, Rangar." Suddenly, the light in the room begins to flash red. "We've been breached, grab everything, follow me!" quickly, we grab our satchels and the groggy Mistress Crowbastard and head out the door of the concrete fortress and quickly down the hall. We can hear the sound of explosions from the further reaches of the grey catacombs as we climb upward and into the light. Exiting the passage we find ourselves just the other side of the battlefield, facing a rope and wood suspension bridge that stretches over the yawning canyon before us. While we hurry over the bridge, we see on the other side a huge spider, crouching above the entrance on the other side. I open my mouth to tell the others , but my words are cut short by silken cords that suddenly entangle me. The last thing I see before it goes dark is Jarkon motioning to the terrible spiders holding us prisoner.

 The last album was lots of fun, but in a completely different way. The compilation, Classical Metal Vol. 1, is an insanely pompous collection of mostly power metal bands covering classical music. Packed to the gills with arias, chorale arrangements, symphony orchestras, cheesy keyboards, and of course, much neo-classical shredding. This album features compositions by Vivaldi, Mozart, Dvorak and all the usual suspects handled and sometimes mangled by bands like Manowar, Uli Jon Roth, Therion, and At Vance. It's all almost to much to handle. This album is a gigantic fountain of jizz that rains down upon the earth, drowning the lowlands and destroying the crops, causing famine across the land will wine sipping aristocrats blather on about free market economics, causing the seeds of bloody revolution. It is awe inspiring. It is terrifying. It may not be the winner of the night, but I'm gonna get the other 8 volumes.


 Words of the Elders
What fate awaits these travelers in this land of untold horrors? Has Jarkon betrayed the party to his friends in the insect and spider kingdom? The gaping void calls out to the heroes of Centon with a sweet siren's song. Will the hammer of fate strike upon Bloodmace and Demon Scourge or Headron? Join us next time for a journey into the lair of Rangar and his cruel minions!

Until next week, brain thrashers






Horns

Monday, October 22, 2012

You gotta have gods - Flood the Desert interviewed in Jenkabala Palace

Flood the Desert, Grand rapids based prog metal titans are almost normal dudes...until you see them play. Drummer Jeremy Hyde and Bassist Zach Flora lay down a crushing, polyrhythmic foundation for Duncan Lammas' High-octane shred pyrotechnics, leaving audiences to gather their bottom jaw from the floor and wander into the night. With more energy than a pack of kids on a sugar rampage it was hard to keep the walls of Jenkabala palace intact when they visited us to talk about their new EP, Stolen Prophets, but after a few flagons of Bloodmace's hot blood punch they settled into the luxurious accommodations in the Jenkabala throne room and told us of their adventures...

 Metal Night - So you guys have an EP called Stolen Prophets. Independently released?

Duncan Lammas (guitar, keyboard, vocals) - Yeah, just us. Completely DIY, all our own money (all laugh)

Jeremy Hyde (Drums) - No really...all of it

MN - Where was it recorded at?
Photo by Robert Shooks

D - Mercury studios. With Ryan Cunningham from The Waxines

MN- How long did it take you to record the EP?

D - It was very stop and start. Ryan logged all the hours and it took sixty hours from tracking to final mastering.

MN - What about a full length album?
D - We're in the planning/pre production stage with that

Zach Flora (bass, vocals) - This EP we just put out, those are all older songs that we just wanted to get good recordings with Jeremy

MN - Your previous release, was that an album or demo?

Z - We call it an album so we can feel cool
Photo by Robert Shooks

J - It was called "before prophets" meaning, tongue in cheek, like we haven’t made any money or anything yet. So all this stuff happened, the album got stolen by this company, Distrophonics, now they make all the money off it, we don't see a dime from any sale. The old drummer walked off with a large chunk of the band fund...well all of it

Z - Yeah, that put us back to zero

J - But we quickly made enough money to fund the EP

MN - Who are the primary songwriters or how does the songwriting process come about?

Z - Almost every way you can think of how people write a song, we've probably done it. Sometimes Duncan will write a whole song by himself and have lyrics for the whole thing and bring it up like, "alright dude so this is what I got", check it out" Y'know, and play it and I'll be like "that is awesome, I need a scratch track or something"

D - Then he'll learn it then we'll decide where should we have vocals and basically, Zach's the heavy guy and I'm the light guy there is a little bit of mismatch but like, he does that well, I do mine well and that's a better chemistry than tryin' to hook ourselves into things we're not as good at.

MN - Ok, you guys have an interesting thing going on vocally, amongst other things, but splitting the vocals, where did you guys get that inspiration?


Z - Well, we basically just got sick of dickin' around with people balin' all the time on vocals, and, well, drums even at that point

D- yeah, we were auditioning drummers...

Z - We were auditioning drummers and we couldn't seem to find a vocalist that could sing and then get kind of dirty with the vocals...

D- And carry equipment!

All - Big laugh

D - Sometimes you get two out of three but you rarely get the whole package!

Z - So one day we were just like "screw it"....

D -Like Mastadon's the workhorse chronicles...those guys had to tour and they had a vocalist and everything and basically he quit or had some sort of issue and they manned up and just sort of did it. and that was...we were like, you know, just...start making noise first. If you listen to the EP, everything's on beat, very straightforward, little if any held notes and if they are, it's always for like the whole measure (beats with hand,) Y'know a four count. It's really simplistic vocally, because we had just stared singing and playing at the same time so there's a definite...I dont know who called us "progressive sludge"

J - Oh god

All - groaning and laughter

D - I think that's a fair statement for that EP, because the new stuff is a lot more singy and proggy and what I think people...that go to the live stuff. They're familiar with that style of us, witch is not anything recorded...

MN - We hear you guys played together in another band.

D -...it was In Phaedrus, witch was a five piece...

MN - What's the name of that again?

D - In Phaedrus

MN- uhh, how do you spell that?

All - laughter

D- I N P H A E D R U S, nothing changed, did y'see that? In Phaedrus, what? how do ya spell that?

Z- That was...everybody

Duncan - Yeah, every time someone mentioned Inthaedrius someone would go, "what?" or "how do you spell that?" and then I decided, OK, next band name, nothing made up. No funky spellings, I don't want to reiterate the band name however many freakin' times...

MN - Is this band kind of a continuation of that one?

D - Um, in spirit and attitude, I think

MN - 'Cause it sounds kind of a little like a death metal band name

D - Definitely heavier...half the stuff was written in standard [tuning] because...I really just like when people do that, i mean if you can play half a set in standard then drop to drop D it's like, whoa, you’re versed in both, you’re not just picking one and going with it. We did that for a while and then I realized, that fuckin' sucks, man. You gotta do that every fuckin' show! and he (pointing to Zach) had the advantage of having a five string bass, witch he tuned like a bastard with a low E and a D, so he never had to re-tune anything, so I'm like this, man (pantomimes tuning frantically)

J - From what I heard of Inthaedrius it was more like a...melodic death metal sort of thing.

D - Yeah, the one song that is recorded is really cool

J - Yeah, I was gonna say, it reminds me of a Gothenburg sort of thing...in a weird way, not that you guys ever really listened to a lot of in flames and Dark Tranquility

US - What are your musical backgrounds, in terms of schooling or experience?

Z - I'm self-taught, never had any lessons or anything

J - I can read percussion notation like a champ but it takes me a while to process it. Like somebody learning how to read english in the first six months

Z - Tabs, tabs man

D - Yeah, I'm better with tabs but I'm a music teacher, so I'm pretty proficient with notation

US - I'm really surprised to hear that you guys aren't music school guys

D - It's weird, we're kind of the anti-music school guys
photo by Robert Shooks

J - I'm not anti, but...use what you got. You grow up listening to something technical, well...

D - It depends on what you consider technical, I mean Decline is a bad bassline

Z - Dude, yeah, eighteen minutes of punk rock fury. There's alot of NOFX songs I still can’t play. Some of that shit is just absurd, the speed of it. The Idiots are taking over? Dude, that bassline is so insane

 D- You gotta have gods, so you have something to reach for

Good photos by: Robert Shooks

Crappy photos by us

Flood the Desert online: http://floodthedesert.bandcamp.com
http://itunes.apple.com/us/album/stolen-...
http://www.cdbaby.com/cd/floodthedesert
https://www.facebook.com/floodthedesert