Tuesday, September 27, 2011

Anata, Nargaroth, Ozzy, and The Murder of Jason Lester

Welcome, hideous creatures, to another installment of Metal Night! Demon Scourge and myself have been busy covering up the evidence and paying off the authorities, so sorry if we have been lagging somewhat. Metal newbie Jason Lester stopped by, and we have just finished fashioning pieces of his skull into a necklace. 
Indeed, Blood Mace! Our Monday madness ended in a mess of mastication as we savored the brain of the unfortunate Zodron before we fashioned his skull into charms to ward off the unspeakable creatures that lurk hungrily in the forest outside Jenkabala palace. Our story tonight is a warning, a signpost for those of you unfortunate enough to be lost in the great west side forest when the sun disappears and the icy winds chill the very souls of weary travelers. 

First, we subjected ourselves to the righteous torment of Swedish death metal band Anata. This release, 'The Infernal Depths of Hatred" was state of the art brutal death metal in 1998, and the passage of time has surely not softened its talons. It appeared at the time that death metal was given a kick in its sagging ass by ultra fast bands like Cryptopsy and Krisiun, and Anata is just as fast and brutal, but these manics had the sense and taste to retain the melodic aspects made famous by their Swedish brethren. Lyrically, the anti-Christian slant of their PhD bearing vocalist and guitar player Fredrik Scalin dominate, to the point of tedium. This is simply a solid death metal release from 1998, one of many to come out that year. Demon Scourge promised to check out more Swedish bands in the future.

Yes, Bloodmace, this was my pick of the night. Brutal, but with tons of old-school melody to keep it interesting, “Infernal Depths” was a great listen.  With a fire raging in the hearth and our Mexican brandy flowing freely we were ready to cull the next conjuration from the bubbling cauldron when there was a soft rap at the door of our secret chambers. Our servant, Vodor, informed us of a lost traveler, a wandering minstrel who was found on the palace grounds.  We had him brought to us. When he entered our chamber we realized that this was no mere interloper, to be impaled on the ramparts for sport. This was our old friend Zodron of the east.  Though he was not familiar with our rites and customs, Zodron was invited to sit with us by the hearth. Who could have known then our night would end in bestial violence?


We corrupted the soul of Zodron with the next release, German evil doers Nargaroth's Jahreszeiten.  It is an epic concept album about the seasons and the inevitable death of all life in winter.  The songs are almost classically constructed, the happy sing song German folk riff of the first song building towards bleaker territories from then on.   The average song length is 15 minutes. The devastating effect it will have on your life is endless. 
 


And devastating it was for Zodron. Carried away by the Ted Nugent of black metal, lost to his secret reveries, our friend was swept off to those dark dimensions beyond death. Adrift on the cosmic winds he was possessed by the spirit of our enemy, Lord Hedra of Dantor. With bloodshot eyes and a snarling grimace, his wiry arms grasped the battle ax kept above the hearth. Out came our razor studded blackjacks.  Violence explodes into the secret chambers once again.

We have fought in many battles together, Bloodmace and I, but few were as violent and intoxicating as this struggle. The metallic smell of fresh blood filled the air with an electric energy that made the battle rage ever more fiercely. Zodron, possessed by our greatest enemy, had the strength of ten. The ax flew like lightning , sending great showers of sparks across the darkened room .  Blackjack tears flesh, the screaming of one who is now a stranger fills the night with fury. Flames leap. A skull shatters beneath the heavy blow of Bloodmace’s …mace. Mist and oily smoke.  As the final cries of agony escape from the fleshy pulp that was once Zodron of the north, we look into the starless sky and cry out to the very gods. Why has this fate come to one we hold dear? Why have the gods seen fit to send such evil to our very door?  To soothe our tattered souls we turn to the balm we call Ozzy.

 Lastly, we rocked the fuck out with Ozzy's Speak of The Devil.  This album is really beyond review. It's Ozzy doing a set of Sabbath covers in the early 80's. It was pleasant to discover that Night Ranger guitarist Brad Gillis, filling in for the recently dead Randy Rhodes, was not as much of a human fecal smear as I thought he was. His axe work gleams with pyrotechnics, turning these plodding Sab standards into righteous spigots of death. And Ozzy is in fine voice, or at least the studio overdubs are. Otherwise, he sounds plastered, as he slurs, "I luv you frrerrr bleeerrfff.. Loot's huv a riot!"


Some ask why we trod upon this cursed ground, why we must go where others dare not. There are those who condemn the ways of metal, those who shun its brethren. But forever strong, we look into the endless sky. Not with fear, but hope. Hope that somewhere in this blasted heath of a universe, somewhere among the stars, there is a place where the cosmic winds blow from lost and forbidden dimensions. A home where the evil piping of strange sects is welcomed by legions of maniac thrashers.  In this quest however, we encounter many dangers. Hostile spirits and jealous gods attempt to block our path. As we have seen tonight, they will stop at nothing to keep us tied to this grey dimension. As we ingest the last bits of our friend’s brain and tie the last skull fragment to the amulet that protects us on our nocturnal voyages, I reflect on our lonely path. Will our quest ever end? We stare once again into the pulsing darkness, now alive with taunting laughter, and return it’s scorn with a cold stare.







 Revenge will be ours Hedra, I will quaff your blood from your smashed skull!  

Sunday, September 18, 2011

Bonded by Brandy - grindcore and thrash night

     Hail metal breathren! Welcome to the realm of TOTAL DESTRUCTION. That’s right it’s time for another installment of METAL NIGHT at Jenkabala palace. This week we were cursed with a visit from two of Satan’s most evil warriors, Shawn “hellmaster” Avery, and the dark princess of insane clowns, Juliet “deathcrush” Bennet-Rylah.  It was a night of terror and mayhem. An inky black tribute to the power of El Presedente  brandy with beer chasers, and a reminder that the altar of madness is wherever we are gathered. Let us not, however, dwell excessively on the cosmic secrets of our hidden congress. Some things are best left in the shadows lest they cause a wave of terror and panic in the uninitiated hordes wallowing in their dreary “reality”. We have come together to discuss three metallic classics and I will now set fourth our findings.

     Blood Mace and I first sampled the delights of Exodus’ live video “Double Live Dynamo” and while this was not part of our investigation proper we had to await the arrival of our third warrior (and eat meat-filled sandwiches.) It’s really no wonder (lead singer) Paul Baloff was known as “the John Beluchi of thrash” . Strutting around the stage, mimicking guitar solos on the mic stand, and keeping up an incredible amount of (methamphetamine fueled?) energy for the entire hour  and a half (!) set. An indisputably great thrash band at the height of their powers, ‘nuff said.  During the middle of this molten madness, our man of the hour arrived, carrying in his hands the decapitated heads of some posers who tried to challenge him on his journey. Bloodstained and weary from having to waste so many wimps, Hellmaster sated himself on some delicious soup he brewed from their eyes and other soft parts while we prepared him for the next quest with liquor.
   Our travels into the wasteland began with the unbelievable 1985 debut from Hirax, Raging Violence.  This was Blood Mace’s pick of the night and has been in near constant rotation at the palace since that night. Back in ’85 this really stood out from the rest of the Metal Blade fare. Defiantly not an Iron Maiden clone (like 80% of Metal Blade’s early catalog) but with a much more concise, hardcore punk songwriting style than the bay area thrash bands they played shows with. I would say they were like a more polished Repulsion, with only a single song breaking the three minute mark. Also central to their sound was lead singer Katon DePena’s  high-range vocal styling. Puntuating every line with a wide, histrionic vibrato, DePenna’s voice rips through the middle of each hyperkinetic song-shard. Blood Mace pointed out that Hirax was an influence on the short-lived “powerviolence” scene of the late 90’s, releasing a split 7” with Spazz in ’97. This album is the real shit people. DO NOT FUCK WITH HIRAX.
  
 Just as the last note of this album was fading into the darkening twilight, we heard the call of the wolf, and knew another grueling test lie ahead of us. Cries of the undead were all around us and our bones were chilled by the blasting wind of ancient suffering. Undaunted, our fearless triumvirate cooled some warm beers in the squalling tempest and used the easily-crushed skulls of some undead geeks to quaff our foaming brew. We knew the next album to be dense and wild, a maelstrom of guttural cries and sludgy guitars. That’s right; I could only be speaking of the titanic Napalm Death and the brutal orgy that is their Peel Sessions. This compilation collects the Lee Dorian session, a wild collection of tracks from “Scum” and “From Enslavement to Obliteration” played as 8 medleys, and two sessions with Barney Greenway. I do like Greenway’s vocals but we were after the Lee Dorian material and this collection did not disappoint. The band seems to have sped up the songs even more (!) for this amazing collection. Not a single tune clocks in longer than 1:05. This band somehow managed to absorb the exuberance of early German thrash (Sodom, Destruction, etc.) and fuse it with one of the most brutal fucking rhythm sections ever. They then yoke this mighty beast to the carriage of their socially progressive message and deliver the word to dirty, violent, and drunken youth around the globe. Amazing.  Years later every high school in America had a death metal/ grindcore band playing basement parties for beer. Speaking of beer, this was the part of the night when we finally reached the point of no return. I inform Blood Mace that I cannot drive him home. Violence breaks out.

 
    Broken glass. Smashed pillars, leaking dust and dropping splinters of what was once the ceiling of our secret chambers. Blood Mace’s rage at last spent, we repair to the secondary chambers and call for the druids to rebuild the blasted battlements of Jenkabala palace. As we ready ourselves with liquor for another brutal foray into dimensions unknown, the magic portal opens and a queen of evil appears before us. Lady Deathcrush, with her tiny robe has come to collect her prince! There is much rejoicing as she offers to transport Blood Mace to his underground lair then produces a bottle of fermented blood collected from the infraworld’s most brutal battlegrounds. We drink. On the platter is our final task, Heathen’s “Breaking the Silence”. This was Hellmaster’s pick of the night and I wasted no time in seconding that. This is a hell of a wicked slab of thrash, one I missed during the glory days. Heathen comes off as much more of a throwback to the hard rock days then the other bands of the night and the smooth riffs are a balm to ears recently shredded by the harsh, brutal sounds of straight grindcore. This album has everything you need in a classic metal style. Here we have harmonized twin guitar melodies, sweet vocals, a barbarian fantasy epic, and a singer who can hit those upper octave notes so popular in the day. By the time we got to the acoustic guitar intro of the doomsday thrasher “Worlds End” it was over for this metal warrior. I almost didn’t notice the other lords and ladies of chaos departing into a misty void. That mystical blood really did me in.
Now, looking back, it seems like such a clear cut story. It seems to happen in such a linear way on the screen but we travel always in this endless continuum, ever searching, ever learning. The galaxy of metal is endless and expanding every day. We roam it’s starways and ancient planets, unearthing dark treasures new and old. This is our mission and no matter how much we have to drink or how many posers we have to destroy, we will continue.  Until next time brothers and sisters...

HAIL TO TRUE FUCKING METAL!!!